Wednesday, 13 May 2015

Spring'n'things

I've been so snowed under with works in progress that I haven't had time to blog about them!

Here is a Tula Pink-heavy quilt top that's *nearly* finished.
I love all the leafy, new-shoot, springy greens.  The majority of these blocks are made with Tula's 'Prince Charming' and there are a couple of liberty prints in there left over from another project.  


And then there's the two identical bed quilts that require a LOT of applique and a LOT of thread!
I've become a real whizz at satin stitch after appliqueing 672 petals - I'm halfway through now, so only another 672 to go!  Yay! :-/

I'm also still working on the English paper pieced throw quilt for my parents

and a tee-pee! 

I've also had some work done on my house and that involved moving the entire contents of my sewing room into my son's room for a week.  Still, it meant that I was able to get some much needed shelving up at the same time.



It's not a perfect system, but at least I can see where everything is.


As an added bonus my two sewing machines, Joan and Pearl, have their own shelf now.


My garden has also lured me away from my sewing to-do list...


What's not to love about cowslips?  This one has self-seeded into my lawn and I've mowed around it because it's so sweet.  

Spring is a wonderful thing!  

Linking up with WIP Wednesday at Freshly Pieced.

Friday, 6 March 2015

Marky Stardust

Here's a space oddity I made for a friend's birthday.  

It's a continuation of my love affair with heat'n'bond and an experiment with machine and hand embroidery.  
I found this Bowie card in a great little card shop in Warwick months ago.  Of course I couldn't actually find it when I needed it, but in the meantime I fancied a go at making my own Ziggy.

I stole I photo of my Muse from Facebook and used Picasa to alter the photo until it was easy to discern the main shapes.  I then used another piece of free software, Microsoft Paint, to over paint until I had only the features I wanted to keep.

I then used a lightbox to trace the three shapes to be made with fabric - the face, the beard and the red lightening bolt.  

The flesh tone fabric came from a bin of pre-cut fat quarters at my local fabric shop and the beard and background are Kaffe Fassett shot cotton for added Stardust-iness.

I used a metallic embroidery thread and machined the purple flash then hand embroidered the rest of the features in.  It was really tricky getting the hand stitches through the layers of fabric and heat'n'bond but it all came together in the end!

I was planning to use red sequins on the red flash but thought I stood a chance of making a dog's dinner of it, especially given the stiffness of all those layers.  

The birthday boy appreciated his Bowie-fication - or so he claimed!

Linking up with TGIFF at Quilt Matters :).

Wednesday, 18 February 2015

Applique quilt - work in progress


I'm having a love affair with Heat N Bond (or however they spell it).  We've been spending a lot of time together recently and I reckon we'll be spending even more time together in the future.  

Look at all the Liberty loveliness!  The petal-y perfection!  I don't know about you, but I think a wee tease of a snippet of the fabric is just as glorious, and in some cases showcases the fabric to it's best advantage.

These applique blocks are waiting to be satin-stitched and will, eventually, be part of a bed quilt for my parents.  

I designed the placement template using a compass and pencil, then spent many a happy hour cutting out the petals in front of the TV.  

Oops - not many left!  I need more Heat N Bond.

Linking up with WIP Wednesday at Freshly Pieced.

Tuesday, 17 February 2015

Quilt As You Go - Dizzy Deco Quilt

Welcome to my first finish of 2015.  Here she is, Miss Dizzy Deco!



Back in November last year I used my first ever jelly roll to make a 'quilt top' (see post here).  


Now I have some strong ideas about quilts.  They have to be big enough to use - and by that I mean big enough to wrap up in and have a snooze without bits of you poking out and getting cold.  
I'll make an exception for a cot quilt (see my first and to-date only cot quilt here), but anything that can't be used on a bed isn't a quilt.  It can be a quilted piece of art or a quilted table runner or whatever, but it isn't what I call 'a' quilt.  Sue me, I dare you!  

Any-hoo, this jelly roll top was too small and somehow unaesthetically pleasing.  


Proof!  USA quilters have nearly 3x as much basting space!  
Now I'd heard tell of a mysterious technique called 'quilt-as-you-go' and decided to have a crack at it.
I have a theory that one of the reasons quilting is popular in big countries with big houses and less of a thing in Britain is because it is such an enormous ball-ache basting a quilt.  I have a tiny house by American standards and basting involves shifting all my furniture about to find enough accessible floor space.  Then I have to scrabble around in an undignified manner (roping in my Mother, poor thing), swearing and making unreasonable demands on a woman in her 70s.  Then I have to wrestle the beast through my bog-standard machine to quilt it.  No fun there, either.  'Quilt as you go' seemed to solve one of the most vexing problems involved with my favourite hobby (basting) and promised to let me play with the one aspect of quilting I hadn't been able to fully embrace (er, quilting!).  

I bought 'Quilt As-you-go Made Modern' by Jera Brandvig and was pleased to see that she was making full sized bed quilts with this method.  Hurray!

I bought a twin sized piece of batting and cut it into 42 11.5 inch squares.  The idea is that the batting is an inch bigger than the finished block you're after so you can neaten and square up.  I felt very naughty...and yet strangely liberated.  

Then I decided to embrace the lack of precision needed for this technique and - shudder - I hacked my jelly roll top to pieces.  

The back of a finished block.

I sat there with my scissors, chewing my lip for an age before I actually cut up my perfectly nice quilt top, leaving me with uneven strips.  

I added three other 30's Playtime prints to make a sort of wonky 4 strip rail fence, adding a strip at a time to each block, finger pressing it flat, then quilting a spiraling rectangular pattern to each strip before sewing on the next.  


Clip those bulky seams!


So far I was thrilled with how quickly the quilt came together.  Then came the bit I was less convinced would work out well - sewing all the quilted (and trimmed) blocks together.  


After sewing two rows of blocks together, Jera recommends that you trim the corners to make sewing the rows together easier and remove bulk from the joins.  Good plan, Jera.  When it was all sewn together I was pleased that it seemed to have gone together so easily.  I was then able to add the backing on the dining table rather than the floor.


Bliss!

I quilted in the ditch in a dark blue aurifil cotton that matched the navy backing and binding.  Minimal quilting was needed to attach the backing and ta-dah!  I was done!  
On the down side, you can feel the grid of seams through the backing and I'm not sure whether this is something that I'll notice when I snuggle up with it.  They really annoy me at the moment, but I I'm hoping that as this quilt is for me (another first!) I'll get over it.  I'll let you know.
Dizzy Deco Quilt
Bloody hell!  Sunshine!  













Thursday, 29 January 2015

Friday, 23 January 2015

Fassett-ed Jewels Quilt


I've had a great time scouring the fabric sales this January. The last time I got such fabulous bargains I made this string quilt, back in 2013.

This shy retiring little number was supposed to be ready for my friend's birthday in July.  She eventually got it as a Christmas present!  It seemed to take an age to piece together but I'm thrilled with the overall effect so I'd love to make another one day.

It was the first time I'd used a paper foundation and it was really liberating not having to be so exact with the measurements.  I'm a very nervous cutter!

Johanna loves teal, mustard and jewel colours so I went to town with plenty of rich, vibrant fabric.  And when it was all 50% off, why not? 
There's a smidgen of Amy Butler's 'Sun Glow' from her Lark range.  There's a dash of Tula Pink's 'Tree of Life'.  There's a smattering of Valori Well's 'Cocoon' range and a good dollop of various Kaffe Fassett prints and stripes.  However the whole thing is positively dripping with bargain Liberty Art fabrics. Most of them are paisley prints.  I bloody love paisley!  
The vast majority - if not all - off these were also designed by Kaffe Fassett.  That guy really is the King of Colour!

The Liberty Art prints included:
Brighton Bell
Paisley Lozange
Paisley Babooshka 
Paisley Rustic
Forget Me Not
Mayfair Mosaic Flower
Punk Stripe
Marylebone Frilly
Paisley Cravat - this was also the backing.
Excuse the blur - all that colour sent me giddy.
I bound it with a black solid to frame it. 

Now what will I make with this year's bargains? Hmm... 


Linking up with Finish It Up Friday at Crazy Mom Quilts, LAFF and TGIF.